Ghana 2018 pt. II

The Master View, Cape Coast Castle, Cape Coast, Ghana 2018

What would our lives be if we had never encountered the hand of colonization?

In part one, I compared the experiences of my travels to Bedford, UK in 2017 and Ghana in 2018 by their value in social capital. I realized I had been measuring the value of travel by asking which place could afford me a greater opportunity to align myself with my white counterparts. I know, this sounds ridiculous, right? Well, it’s actually more common than we would like to admit.

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+/- An Exhibition on Negative Space

Plus/Minus is an exhibition on the introspective expression of negative space with work created by emerging Southern California based artists. 

Negative space stands perspective on its head. Personal ideas take shape not only within the context of an art piece, but also in the absence of material in an art piece. Negative space, can be compared to the blank spots in each of our own experiences in relation to those around us. The morphing of perspective can be compared to the morphing of shapes and images in art. In this exhibition the artists will be discussing the ways that art can approach social delineation and personal perspective through the use of space. Every person has a different life experience, a different reality, and a different perspective. By looking between the lines, at the shapes our ideas take, and at the places they find blank, a person can find what they need to learn. 

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I was as honest with my passions then

as I am now.

My eyes linger over these forgotten photographs and I am brimming with varied emotions that range from intrigue, to sorrow to awe. Part of me is curious to recall my thoughts during this project. I photographed these images back in 2015, under the instruction of Suda House. Affectionately, I found her… cooky. She introduced me to the dark room, taught me the best F stops and Apertures, and gave me my first taste of applied art theory. I don’t remember what the prompt was exactly but I distinctly remember the work evolving into something of its own.

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Of Days, 2019

Of Days, 2019, 68″ x 217″ inches, Graphite on canvas

I struggle finding the words to talk about this piece. Not because I lack any, but rather that I have too many. To sum it as best I can, it is a compression of ancient and contemporary African experiences. More on this topic in a future post but I am noticing a trend that I unknowingly created for myself; capturing moments in time.

This drawing is an attempt to capture the past and the present in one panoramic frame. Through appropriation and collage, I have knitted what I hope conveys the moving stillness that is African and African American culture. Over decades (even centuries) traditions of dance and celebration are still valued and practiced in both cultures even today.

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UCSD Senior Art Crawl: Honors Thesis & Here/After 2019

In closing my undergraduate education at the University of California, San Diego my Studio Honors Cohort exhibited our Thesis projects in a group showing at the Adam D. Kamil Gallery. Our opening reception was June 4th, 2019.

Simultaneously, the opening reception for the 2019 Visual Arts Senior Class Exhibition was on June 4th, 2019.

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Here/After at UCSD University Art Gallery

A collection of work by the 2019 undergraduate seniors is currently being exhibited and a recent pics of mine is on display. If you have time and will be in La Jolla, CA between May 28 and June 16, 2019 be sure to stop by and check out the show. I’d love to see you there!

For more information, use the Facebook events link here.

Honors Thesis Exhibiton

I am proud to annouce that I will soon be a graduate of the UCSD Visual Art: Studio Honors 2019 Cohort. Our group thesis exhibiton will open on Tuesday, June 4th with an opening reception from 5:00pm to 7:00pm.

Admission is FREE and refreshments will be served in appreciation for guest attendance. Come and support San Diego’s budding studio artists!

For more information, use the Facebook Events link here.

Snitch, Solo Exhibition April 2019

Adam Kamil Gallery, La Jolla, CA

La Jolla, CA, 92093

April 2 – 4, 2019, 1:00pm – 4:00pm

Opening Reception April 2, 5:00pm – 7:00pm

Reviews from the exhibition are rolling in and it is honestly humbling to hear the comments made about the work. In case you weren’t able to attend, here a few photos from the exhibition!


Adam Kamil Gallery, La Jolla, CA

Image 1 of 17


Snitch Press Release

Adam Kamil Gallery, UCSD

La Jolla, CA, 92093

April 2 – 4, 2019, 1:00pm – 4:00pm

Opening Reception April 2, 5:00pm – 7:00pm

Free & Open to the Public

Snitch is an exhibition of drawings that investigates the social dynamics of religion and power in America and their effect on African American women. Power is an ever-present issue for black women in areas of sexuality, bodily autonomy, and self advocacy. African Americans are a predominantly Christian group and, with much of their cultural value being built upon religious belief, many systems of misogyny and patriarchy are still upheld. However, with great efforts, many African American women are working to dismantle the social systems that perpetuate oppressive and repressive norms by examining the sources of these culturally accepted ideologies. This exhibition intends to aid in that effort.

Africann American women have been the initiators of social justice movements like #MeToo, Womanist, and the Feminist Suffrage but have historically been the smallest beneficiaries. On average, church populations in predominantly African American communities are female, yet few churches allow for women to be primary church leaders leaving positions of power male dominated. Commonly, African American women are active participants in their communities, churches, and neighborhoods. Referred to as “Super Women” as they are seen to be able to “do it all” and are often the matriarchs of their families, bearing both the role of breadwinner and homemaker. Recent studies show that the stress endured by African American females has been the leading cause of heart disease, miscarriages, and psychological disorders. The strength of the African American female has been misrepresented as hypersexual, aggressive, and violent in attempts to justify heinous acts of violence against them. These socially discriminative perceptions have been linked to a high number of cases of maternal mortality, medical misdiagnosis, and premature death.

Using a variety of materials, this collection of drawing aims to find the connection between religion, power, and the African American Female, in hopes to uncover the causes of the aforementioned disparities. These drawings are graphite on black illustration board, with metallic highlights of gold and silver that illuminate various depictions within the space. The figures are stretched to extremes capturing cinematic frames of dynamic gesture. The content alludes to areas of life that are sacred for many, taboo for some, but necessary for all, raising questions of existentialism, spirituality, and sexuality.

Kimberly R. Heard is a draftsman currently living and studying in San Diego, CA. Kimberly is native Californian who lived in Birmingham, AL during her adolescence and early adulthood. Her work aims to decipher the learned from the intuitive; to understand the complexities of the African American existence and investigate the social politics that surround the black experience. Identifying as both Christian and an African American woman, the artist perceived herself as a ‘snitch’, dispelling cultural truths that would otherwise not be publicly addressed.